CanaryTeeFashion - Disney Mickey Mouse Maleficent Happy halloween shirt
Buy this shirt: https://canaryteefashion.com/product/disney-mickey-mouse-maleficent-happy-halloween-shirt/
That spirit is evident in the Disney Mickey Mouse Maleficent Happy halloween shirt and I love this artisanal craftsmanship of Brother Vellies, which James founded in 2013 as a means of preserving centuries-old techniques. “In 2011, I started traveling across different countries in Africa, seeking out traditional artifacts still being made,” says James. “And I started getting distraught because I soon realized that so much had been wiped out.” In Africa, about 40 percent of apparel manufacturing has died out due to used-clothing imports. The experience prompted James to explore ways of uplifting communities without erasing their heritage. “When the British came to South Africa and saw the shoes they made—the veldskoene, or vellies, a rawhide design originated by the nation’s Khoisan people—they took those ideas and founded Clarks,” she says. “When I went, there were a few workshops still making them, and they were at risk, so I started working with them on new colors and shapes. Brother Vellies was born out of that.”
With workshops in South Africa, Ethiopia, Kenya, and Morocco, the Disney Mickey Mouse Maleficent Happy halloween shirt and I love this brand provides a lifeline for regional handcrafts. When James won the 2015 CFDA/Vogue Fashion Fund award, it aligned with a retail sea change that saw consumers suddenly as interested in the backstories of the brands they bought as they were in their fashion. “Aurora was way ahead of the curve on that front,” says designer Brandon Maxwell, a longtime friend. “People want to know what the values are of the brand they’re spending on, and Aurora lives those. Women don’t just want the product—they want to be like her, and that is a very special combination.” The pan-Africanism of James’s vision also shines through. “[It’s] the idea that you can have this Black-owned luxury product made by indigenous Black artists on the African continent,” says Welteroth. “And to know that by buying into this brand you’re also investing in a micro-economy that is going to enable Black women to provide for their families and become economically independent—it speaks to a new idea of what luxury is.”
Home: https://canaryteefashion.com/
That spirit is evident in the Disney Mickey Mouse Maleficent Happy halloween shirt and I love this artisanal craftsmanship of Brother Vellies, which James founded in 2013 as a means of preserving centuries-old techniques. “In 2011, I started traveling across different countries in Africa, seeking out traditional artifacts still being made,” says James. “And I started getting distraught because I soon realized that so much had been wiped out.” In Africa, about 40 percent of apparel manufacturing has died out due to used-clothing imports. The experience prompted James to explore ways of uplifting communities without erasing their heritage. “When the British came to South Africa and saw the shoes they made—the veldskoene, or vellies, a rawhide design originated by the nation’s Khoisan people—they took those ideas and founded Clarks,” she says. “When I went, there were a few workshops still making them, and they were at risk, so I started working with them on new colors and shapes. Brother Vellies was born out of that.”
With workshops in South Africa, Ethiopia, Kenya, and Morocco, the Disney Mickey Mouse Maleficent Happy halloween shirt and I love this brand provides a lifeline for regional handcrafts. When James won the 2015 CFDA/Vogue Fashion Fund award, it aligned with a retail sea change that saw consumers suddenly as interested in the backstories of the brands they bought as they were in their fashion. “Aurora was way ahead of the curve on that front,” says designer Brandon Maxwell, a longtime friend. “People want to know what the values are of the brand they’re spending on, and Aurora lives those. Women don’t just want the product—they want to be like her, and that is a very special combination.” The pan-Africanism of James’s vision also shines through. “[It’s] the idea that you can have this Black-owned luxury product made by indigenous Black artists on the African continent,” says Welteroth. “And to know that by buying into this brand you’re also investing in a micro-economy that is going to enable Black women to provide for their families and become economically independent—it speaks to a new idea of what luxury is.”
Home: https://canaryteefashion.com/
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